I shot this two months ago and it's running in Austrian television and cinemas at the moment ( :thumbup: )
We had a whole movie crew on set. Director (David Wagner. He did the other ad with the EXF1 found here: viewtopic.php?f=49&t=1236), assistant director, assistant camera (Ralf Woltron), lighting crew, production department (Roberto Gruber), etc...
The workflow in post was: 30p to 25p interpretation, ProRes conversion, color correction from HD tape, back to HD tape.
I used the Contax Zeiss 28mm 2.8 for the moving images, and Contax Zeiss 25mm 2.8 for the stopmotion sequence to zoom in digitally and stabilize the image in post.
Lights were HMI flickerfree. Tungsten also works fine, never had any flicker issues, except with non flickerfree HMI's, those give you slight flicker in the spot's falloff.
Here are some setphotos by my great camera assistant Ralf Woltron:
[attachmentez8xuil]4 pfoten bw 03.jpg[/attachment8xuil][attachment=3:3ez8xuil]4 pfoten bw 19.jpg[/attachment8xuil][attachment=2:3ez8xuil]4 pfoten bw 22.jpg[/attachment8xuil][attachment=1:3ez8xuil]4 pfoten m-06.jpg[/attachment8xuil][attachment=0:3ez8xuil]4 pfoten m-29.jpg[/attachment8xuil]